DOn't be a newbie--rules to follow to avoid looking like an amateur
Laurel Bradley is the author of time travel romance A Wish in Time, humorous contemporary romance Crème Brûlée Upset, and a newly published suspense Trust No One. When she isn’t writing, this mother of five enjoys reading, painting with watercolor, baking cookies and kayaking. To find out more or read excerpts from her books go to www.laurelbradley.com
Don’t Be a Newbie
Rules to follow to avoid looking like an amateur.
As a reader, there has probably been a point in your life when you’ve read a book and thought, “I wish I’d written that,” or perhaps, “I could write better than that.” I read somewhere that 83 percent of Americans dream of writing a book. Chances are you are one of them.
If so, welcome to the club.
I’ve been authoring stories long before I set pen to paper (or fingers to keys). It started with telling myself bedtime stories and progressed through scribbling in a notebook as I watched my kids play to seeing myself become published multi-published.
I’ve made a lot of mistakes along the way. There were, and still are, many times I wished I had a list of rules to do and things to avoid doing.
After considering my blunders and polling fellow writers, I’ve come up with a list of “do’s” and “don’ts.”
Do:
1. Format correctly.
One inch margins all the way around. (Go to “page set up” under File to modify margins.).
Read your prospective agent, publisher, or editor’s website. Do they publish/handle what you write? Are they accepting queries? There are a lot of books that list agents, publishers and editors. (Jeff Herman writes a good one.) Read the books published by particular houses. What type of voice do they seem drawn to? Are there a lot of first person present tense books in their line up or none?
3. Read how an agent or editor wants to be approached and follow the rules.
Agents and editors receive hundreds of queries a day. If you give them a reason to reject you out of hand, they will. Again, check with the specific agent/editor’s website or the most recent Writer’s Market or Jeff Herman’s Guide to Book Publishers, Editors, and Literary Agent.
4. Treat writing as a business.
Make your correspondence business correspondence. Queries and cover letters should be typed and formatted as a letter, complete with the return address and the contact information. If you are sending hard copies, make certain they are clean and properly formatted. Treat emailed queries as business letters and format them accordingly.
Note that sliding a manuscript under the bathroom stall at a convention is NOT something a serious business person would do.
5. Proofread.
Better yet, have someone else proofread your work, including your query letter. Sometimes authors are so close to their work, they cannot read what it actually says, and read instead what it is supposed to say.
6. Know the tools of the trade.
7. Develop name recognition—even if you aren’t published.
It is never too early to market yourself as an expert.
8. Learn about the profession from the professionals.
9. Write daily.
Even if you aren’t actively working on a book, short story or article, write something. Journaling counts.
10. Ask for help.
As a group, authors are incredibly generous. Everyone started as a beginner. Most authors are more than thrilled to help if they aren’t working under a deadline.
Don’t:
1. Don’t “head hop.”
This is particularly important for romance writers. It doesn’t seem to be as strictly expected or enforced in other genres.
Head hopping is changing point of view (POV) several times within a single scene. Sometimes head hopping can get so bad that the POV shifts with every paragraph or every line. While some authors are more skillful at it than others, head hopping tends to pull the reader out of the scene. Never a good thing. Naturally, this does not mean an author can’t have more that one point of view in a scene, just that it shouldn’t be done frequently. Keeping a scene in a single point of view strengthens the reader’s connection with the character and the action.
2. Don’t tell every minute of your character’s day or his/her entire life history.
Strong writing means that each scene should have purpose and advance the plot. If it doesn’t advance the plot, it should be eliminated. This goes for chunks of “back story” as well. The “back story” is the events that happen before the book starts.
3. If submitting a hard copy, don’t bind or perfume your manuscript.
Wrapping it as a present and printing a cover are also unnecessary and will mark you as an amateur.
4. Don’t mention how much your mother, father, and Aunt Clara love your work.
5. Don’t discount small presses and e-publishers.
Not so long ago self publishing, electronic publishing and small independent publishers were the ugly stepchildren of the industry. Thankfully, things are changing. There’s money to be made in the smaller niche markets and most readers don’t care who published a book as long as the story is compelling, the writing is strong, the editing is clean, and they are able to get the book in the format they want.
6. Don’t write bad reviews or bad-mouth agents, editors, publishing houses, or other authors on the loops.
What goes around comes around.
7. Don’t send a manuscript before it is ready.
Really—wait until it is polished before querying.
8. Don’t expect agents and editors to be your therapist or friend.
They are nice people, but their job is to sell books not counsel on personal matters. Giving career advice is a different story. That IS part of their job.
9. Don’t expect someone else to market your book for you.
Authors wear a lot of hats, and marketing/publicity agent is one of them. If you are fortunate, your publisher may allocate a limited marketing budget for your book, but don’t count on it. Count on working to promote your own book. It has been said before by others—writing is the easy part.
10. Don’t give up.
Dreams do come true. Sometimes you have to make them; other times they fall into your lap. Either way, make certain you have your priorities in order. This business will eat you alive if you let it. Don’t.
If you have any advice to add, please post a comment or email me at [email protected]. I would love to hear from you and add your words of wisdom to the list.
Don’t Be a Newbie
Rules to follow to avoid looking like an amateur.
As a reader, there has probably been a point in your life when you’ve read a book and thought, “I wish I’d written that,” or perhaps, “I could write better than that.” I read somewhere that 83 percent of Americans dream of writing a book. Chances are you are one of them.
If so, welcome to the club.
I’ve been authoring stories long before I set pen to paper (or fingers to keys). It started with telling myself bedtime stories and progressed through scribbling in a notebook as I watched my kids play to seeing myself become published multi-published.
I’ve made a lot of mistakes along the way. There were, and still are, many times I wished I had a list of rules to do and things to avoid doing.
After considering my blunders and polling fellow writers, I’ve come up with a list of “do’s” and “don’ts.”
Do:
1. Format correctly.
One inch margins all the way around. (Go to “page set up” under File to modify margins.).
- 12 point Times New Roman or Courier font.
- Five space indent.
- Double-spaced, single-sided pages are standard.
- One space after a period and an end mark.
- Start new chapters halfway down the page.
- Underline where you’d like the text italicized (internal monologue, titles, etc.)
- Separate scene changes within a chapter with one-line space, using three asterisks separated by spaces * * * if said break occurs at the end of a page.
- Use white paper if the agent/editor wants a hard copy. Most want a Word document.
- End a chapter with a hard return (hit Ctrl and End at the same time). This will start the new chapter on a new page.
Read your prospective agent, publisher, or editor’s website. Do they publish/handle what you write? Are they accepting queries? There are a lot of books that list agents, publishers and editors. (Jeff Herman writes a good one.) Read the books published by particular houses. What type of voice do they seem drawn to? Are there a lot of first person present tense books in their line up or none?
3. Read how an agent or editor wants to be approached and follow the rules.
Agents and editors receive hundreds of queries a day. If you give them a reason to reject you out of hand, they will. Again, check with the specific agent/editor’s website or the most recent Writer’s Market or Jeff Herman’s Guide to Book Publishers, Editors, and Literary Agent.
4. Treat writing as a business.
Make your correspondence business correspondence. Queries and cover letters should be typed and formatted as a letter, complete with the return address and the contact information. If you are sending hard copies, make certain they are clean and properly formatted. Treat emailed queries as business letters and format them accordingly.
Note that sliding a manuscript under the bathroom stall at a convention is NOT something a serious business person would do.
5. Proofread.
Better yet, have someone else proofread your work, including your query letter. Sometimes authors are so close to their work, they cannot read what it actually says, and read instead what it is supposed to say.
6. Know the tools of the trade.
- Take classes and read books on writing so you know what story arc, sub plot, tension, and theme are.
- Buy a manual of style—either Chicago Manual of Style or AP Manual of Style—and refer to it for grammar and punctuation questions. Most publishers that I’ve talked to prefer Chicago Manual of Style but not all.
- Learn the difference between strong writing and weak writing.
7. Develop name recognition—even if you aren’t published.
It is never too early to market yourself as an expert.
- Enter contests.
- Write positive book reviews. Yes, positive. If you don’t like a book, don’t review it.
- Create and maintain a website.
8. Learn about the profession from the professionals.
- Join loops and professional groups.
- Subscribe to and read professional journals (i.e. Publishers Weekly, Writer’s Digest, Romance Writers Review)
9. Write daily.
Even if you aren’t actively working on a book, short story or article, write something. Journaling counts.
10. Ask for help.
As a group, authors are incredibly generous. Everyone started as a beginner. Most authors are more than thrilled to help if they aren’t working under a deadline.
Don’t:
1. Don’t “head hop.”
This is particularly important for romance writers. It doesn’t seem to be as strictly expected or enforced in other genres.
Head hopping is changing point of view (POV) several times within a single scene. Sometimes head hopping can get so bad that the POV shifts with every paragraph or every line. While some authors are more skillful at it than others, head hopping tends to pull the reader out of the scene. Never a good thing. Naturally, this does not mean an author can’t have more that one point of view in a scene, just that it shouldn’t be done frequently. Keeping a scene in a single point of view strengthens the reader’s connection with the character and the action.
2. Don’t tell every minute of your character’s day or his/her entire life history.
Strong writing means that each scene should have purpose and advance the plot. If it doesn’t advance the plot, it should be eliminated. This goes for chunks of “back story” as well. The “back story” is the events that happen before the book starts.
3. If submitting a hard copy, don’t bind or perfume your manuscript.
Wrapping it as a present and printing a cover are also unnecessary and will mark you as an amateur.
4. Don’t mention how much your mother, father, and Aunt Clara love your work.
5. Don’t discount small presses and e-publishers.
Not so long ago self publishing, electronic publishing and small independent publishers were the ugly stepchildren of the industry. Thankfully, things are changing. There’s money to be made in the smaller niche markets and most readers don’t care who published a book as long as the story is compelling, the writing is strong, the editing is clean, and they are able to get the book in the format they want.
6. Don’t write bad reviews or bad-mouth agents, editors, publishing houses, or other authors on the loops.
What goes around comes around.
7. Don’t send a manuscript before it is ready.
Really—wait until it is polished before querying.
8. Don’t expect agents and editors to be your therapist or friend.
They are nice people, but their job is to sell books not counsel on personal matters. Giving career advice is a different story. That IS part of their job.
9. Don’t expect someone else to market your book for you.
Authors wear a lot of hats, and marketing/publicity agent is one of them. If you are fortunate, your publisher may allocate a limited marketing budget for your book, but don’t count on it. Count on working to promote your own book. It has been said before by others—writing is the easy part.
10. Don’t give up.
Dreams do come true. Sometimes you have to make them; other times they fall into your lap. Either way, make certain you have your priorities in order. This business will eat you alive if you let it. Don’t.
If you have any advice to add, please post a comment or email me at [email protected]. I would love to hear from you and add your words of wisdom to the list.
